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Here's a good message for 2011 Merry Christmas

For those who practice THE LAW OF ATTRACTION , this is a good message. So, how it is:

Yes, I have been long awaiting a turn to meet you, it is nearly time.

Although short while he comes not yet exist. You're going to create. Give me life with your projects, your thoughts, your words, your feelings, but above all to your actions.

I call "2011" but all I know with the unoriginal name of "the coming year."

Until today, I have no way, I'm not an incredible year, but not horrible, I'm not bright or dull ... How can you be?

Soon you will use this book with my name and I want to give me a privilege. Only one

.............. I want to make THE BEST YEAR OF YOUR LIFE. Let's see which of your other years you had asked this? None I bet ..... I did come and I stand with my four numbers in front of you, I want to be the year that you dare to do more things, the year that most think and act big, in sharing your talents and abilities more generously, the year in your mind, heart and body will produce better things in an honest way for your benefit and for which around you.

year that extra love and attention given to yours.

Today I join the celebration to bid farewell to 2010, "I will." Ups and downs will

with him .......... Now my turn ........

PLEASE !!!!!!!! Disfrútame, maximum use me, fill me with experience, have fun while we're together, I want to go to the following December exhausted, but full good things and with the privilege of being the best ever ..... I have reached my goal: to live forever in you, because you can not forget how amazing it was our time together and at the end of the bell announcing my arrival, remember me, take a deep breath y. ..

ahead! Looking forward this year expected to be in truth with ALL your desires

a wonderful 2011 !!!!!!! With all my heart and CARINO .... LIVE, LOVE and BE.

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Into the Storm (2009)

The action begins in July 1945. As Winston Churchill rests on the French coast waiting for the outcome of British elections, Prime Minister will remember the difficult times spent in front of the British government during the war, since his appointment as Prime Minister in May 1940 , through the defeat of France, the withdrawal from Dunkirk, and his lonely struggle to confront Hitler , until the final defeat of Nazi Germany.

Into the Storm, Churchill at War ("The Storm, Churchill at War"), a telefilm that becomes the second part of the biographical story about the figure of Winston Churchill, initiated by the wonderful HBO production "The Gathering Storm " , which chronicled the major events in the life of the future prime minister in the years preceding the outbreak of World War II. Therefore, Into the Storm offers chronological continuation of that story, focusing now on the story of Churchill's years in office in the UK, during the course of World War II.

Regarding the assessment of the film, we must start by saying that this remains the hallmark of HBO productions about the quality of the atmosphere, the historical recreation and staging, they are excellent. In terms of interpretation, performances are also quite good, with Irish actor Brendan Gleeson replacing Albert Finney in the role of Churchill, a role that earned him to win the Emmy for best actor, though, comparing both performances, I personally more convinced of Finney. The film also plays some of the most famous and emotional speeches Churchill's urging to continue the fight, as the famous " fight on the seas and oceans, we shall fight on beaches, in the hills ...." In addition, following the line of Storm Threat the story does not avoid addressing the less friendly aspects of Churchill's personality, his irritable character, their class prejudices, and personal and emotional problems, which comes complete on a personal level political and historical portrait of the character.

However, the film also fails in some respects, particularly in terms of narrative. The idea of \u200b\u200bcompressing the main events of six years of war in a television movie and a half hours does not stop working well, because too many important facts are narrated in a schematic way in, and the time jumps are not all that well explained. Thus, the viewer not familiar with the historical facts of World War II can be lost in more than one point in the narrative. Undoubtedly due to cover the range of years in office Churchill would have been much more appropriate format for a Miniseries of several chapters that would have allowed to develop a greater coherence and detail the story of all political events and military developments between 1940 and 1945.

In any case, Into the Storm is one of those titles that will be appreciated by fans of historical films, not only at formal bill painstaking, but also provide a more accurate portrayal of one of the key figures of the twentieth century. Although in my point of view " Storm Threat" was a step above this, no doubt, Into the Storm completes in a fairly decent biography of Churchill's account, accepting the fact that is rather short on the narrative plane. A recommended title which will appeal to fans of historical films in general.

Rating: 6 / 10

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John Rabe

John Rabe (2009)

Nanking, China, November 1937. After a long stay in China, German John Rabe (Ulrich Tukur), head of the hydroelectric plant that the German company Siemens has in the city, makes his return to Germany. However, when Japanese troops approaching the city with the intention of taking it by assault, coinciding with the day of the official farewell to local authorities Rabe, Japanese begin their bombardment. Before the turn of events, Rabe, with the help of the British Medical Robert Wilson (Steve Buscemi), the director of the University of Nanking, and the German diplomat Georg Rosen (Daniel Brulh) decided to organize a "security zone" inside the city to protect Chinese citizens from the atrocities of Nipponese soldiers.

is curious to see how the Sino-Japanese war, until recently a semidesconocido war and neglected by the cinema, has become the last several years in order estimable productions as the very recent budget Children of Huang Shi or the magnificent City life and death.

In this case, John Rabe addresses the reconstruction of the events surrounding the capture of Nanking by the Japanese imperial troops and the subsequent infamous slaughter, from the perspective of the German citizen, a member of the Nazi party did not hesitate to risk his own life and security to help China's population compared to Japanese barbarism. Rabe's efforts, alongside those of other European residents in Nanking, served to create a safety zone where over 200,000 took refuge inhabitants of Nanking, which saved their lives thanks to the existence of such a zone. However, despite the humanitarian feat achieved, John Rabe was no prophet in his land. On his return to Germany in February 1938, his denunciation of the Japanese crimes in Nanking alone earned him to be arrested by the Gestapo and watch the slaughter his documents were confiscated. Rabe died in 1950 without receiving any formal recognition, and his memory was forgotten until in 1996 he published his diary on the events in Nanking, which ultimately earned him recognition by the Chinese government and the international press, who baptized post as "The Schindler of Nanking ."

Entering assess the film, it is noted in a thoughtful first formal appearance. The setting of Nanking (filmed in an old area of \u200b\u200bShanghai), the staging and the excellent photography really introduce the viewer into the era and atmosphere of the China of the 30's. It is equally remarkable interpretive paragraph, with Ulrich Tukur very believable in his portrayal of Rabe and fully supported by the rest of the cast including Steve Buscemi always effective . However in my view, the film lacks anything else to develop the field premium offered by the true story of the character.

In the first half of the film, the pace of the narrative becomes not what the story requires vigorous, and in the second half, despite offering some moments of high drama (eg when Rabe attends beheading of his driver), the story lacks the potential to move the viewer. In addition, it appears that the story deliberately takes too melodramatic tone, something that was not necessary as was already given by the true story, and in that sense the movie I thought it was a step below the sober narrative " City life and death. "Neither the parallel histories of secondary characters, despite being fully inserted into the plot, I ran to meet fully, because in the end it seems they are not fully developed.

In any case, despite the above aspects must be recognized that the film offers a very interesting account of human solidarity, and despite missing a major point of narrative pace, its careful formal invoice their good performances make it a title is not without interest, which serves as a good man deserved tribute that did his best to help others in a time of great danger. Recommended.

Rating: 6.5 / 10

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The Children of Huang Shi (The Children of Huang Shi) The Dam Busters

Children of Huang Shi (2008)

The story takes us to 1938. The young British journalist George Hogg (Jonathan Rhys Meyers) came to China to cover the Japanese invasion of the country. Already in China, Hogg witness firsthand the brutality of the Japanese imperial army toward civilians, he decides to stay in the country and help the most vulnerable. After escaping death with the help of Jack Chen (Chow Yun Fat), one of the leaders of the communist resistance, Hogg took refuge in the orphanage in Huang Shi, where with the help of the nurse Lee Pearson (Radha Mitchell) will become a teacher, teaching children. Over the months, and the threat of war arrive at the orphanage, Hogg decided to take an incredible march of over 1000 kilometers through China, at the head of the 60 orphans of Huang Shi, to safeguard them by moving them to a remote haven inside the country.

Children of Huang Shi is one of those stories based on real facts, a priori, have all the elements necessary to become a great movie. In this case, the original story offered characters who are perfectly the kind of "real heroes" and staged a touching story of personal and human values, all with the backdrop of a war drama with hints of war epic set in Sino-Japanese. Given this, it is quite telling that the most notable aspects of this film is reduced to the setting and scenery. The narrative possibilities offered by the original story have not been even remotely exploited by the film, and this is due to several reasons. The former can be found in the poor choice of distribution. Jonathan Rhys Meyers does not seem the most suitable actor to give life to the devoted Hogg, and its interpretation, apart from stiff and expressionless, not at all credible. Neither co-star, actress Radha Mitchell , manages to convey much with her role as nurse sacrificed, and the more toned as interpreters, the Chinese actor Chow Yun Fat , it is unfortunate that his character - I could have given more of himself, to stay in a very schematic and secondary level.

Apart from the above, the minimum that can be ordered a film based on a story of personal and human values \u200b\u200bexcited, which the film tries, without success. Lack dramatic intensity in too many scenes, especially the story of the grueling feat of marching through the mountains, which is told in a flat and dispassionate so that the end is totally blurred. And above all, the worst thing is that the film barely touch the viewer, which has much to do the very vigorous implementation of the experience at the director Roger Spottiswide . If they will join the subplots that are introduced in the story are entirely unsubstantiated, especially trying to show Hogg love triangle between Chen and the nurse, it is understood that after watching two hours of footage, the viewer is left with the feeling of being in a failed title in more than one aspect.

Ultimately, Children of Huang Shi is a typical example of uninspired film that misses the wonderful story base, moving to a clumsy screen adaptation of it. A pity, because these willows, in the hands of a writer and a more experienced director could have led to a great movie. In the end, a product is passable and fairly entertaining, but in general terms, disappointed.

Rating: 4 / 10

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The Dam Busters (1955)

action puts us in 1943. The engineer Barnes Wallis (Michael Redgrave), an employee of the ministry of armaments, conceived the idea of \u200b\u200bmaking a bomb specially designed to destroy German dams in the Ruhr, with the aim of causing extensive damage to the arms industry in the area . After convincing command of RAF bombers on the viability of the operation, implementing the same will be assigned to the bomber squadron 617, unit equipped with Lancaster bombers under the command of Captain Guy Gibson (Richard Todd), who immediately began to prepare with his men to carry out the dangerous raid .

We have already commented in previous reviews as the British film of the decade of the 50 was especially prolific in producing titles that recreate the patriotic military exploits during World War II. This is the case of The Dam Busters (the English translation would be " The Revientapresas "), a film released in the UK in May 1955, coinciding with the twelfth anniversary of the Operation Chastise, a raid of the RAF bomber designed to destroy the Ruhr dams using bouncing bombs the novel designed by engineer Barnes Wallis. Device such as pumps remained secret at the time of release, the film shows no real bouncing bomb, and the scenes of the bullets bouncing off the water used archival footage taken from the experimental tests made during the war with these bombs. Nevertheless, the RAF collaborated with producer and yielded 4 Lancaster bombers of the war survivors for filming aerial scenes. Its release was well received among the British public, which obviously still had fresh memories of the war, but curiously, unlike other similar productions of the era did come to our screens, the film was never released in Spain.

As for the quality of the film, it should be noted that this is a title that accuses some respects more than five decades since its release. The Dam Busters your typical war film exploits that first recounts the difficulties he has to beat the driver of an audacious plan to convince his superiors the possibilities of it, then linking with the preparation of the dangerous mission by the charismatic officer on duty. In this aspect the film is not too original, although they shelled quite faithful to historical facts, technical difficulties and materials involved make a type of air attack had never been implemented before. In this sense, the film succeeds reasonably entertain the audience and is further supported by good performances from their star duo, in addition to having a proper soundtrack, which is considered one of the BSO classical point of war. It is in the section to run mission where accusing most pointed chronological appearance before, and the special effects, which were certainly very good for that time, have been quite out of step with current standards. The sequences showing the destruction of dams rather crude models combined with the use of sheer fabrics quite evident that recreate the underwater explosions, while recognizing that given the time, nor would expect much more in appearance.

In conclusion, "The Dam Busters " is a very good sign with stamp craft of British war films of the year 50, telling a war story with a keen historical and formal rigor that make harm to the good fans of the genre, though in appearance it is a title outweighed by other later productions. Do not detract from a viewing.

Rating: 6 / 10

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The Cockleshell Heroes (The Cockleshell Heroes) Operation

The Cockleshell Heroes (1955)

March 1942. The biggest Stringer (José Ferrer) comes to the base of the Royal Marines in Portsmouth, to elect the soldiers involved in a dangerous secret mission whose objective is to attack the heavily defended port of Bordeaux by a raid in canoes. Soon, Stringer extravagant methods clash with the attitude of Captain Hugh Thompson (Trevor Howard), an old school official designated to act under the command of Major, which, together with the unruly attitude of men selected for carry out the mission, create difficulties in preparing it.

The British war films of the decade of the 50 was especially prolific in producing titles that recall the most spectacular and daring actions of special forces during World War II (eg, Operation Tirpitz or The Dam Busters ). Following this current issue, Hell the heroes are in charge of recreating the historical facts surrounding the Operation Frankton , a daring raid on the French coast, designed to attack the naval base at Bordeaux, which was an enclave vital German maritime communications. This raid was the first combat action of a special unit called the British Marines Royal Marines Boom Patrol Detachment, specially trained to conduct missions in a canoe. The story of raid against Bordeaux port was subsequently collected in the book The Cockleshell Heroes (whose rough translation would be "The heroes of the shell") which in turn was the basis for developing the script for the film.

A script whose preparation was not without controversy, as the actor Jose Ferrer , "in addition to exercising the direction of the film, he reserved for himself the title role-commissioned another writer's task review the original version of the script to enhance its character. However, when the producer Irving Allen reviewed the final version of the script, felt that this was too serious, and decided to add new scenes that will provide more comedy to the story, which he did without telling Ferrer. This, angered by the changes that had been introduced into the story without his consent, decided to cease production. Nevertheless, the fact that the film quite estimable handle a budget for the period, thanks to the co-production of Warwick British studies with the Columbia American producer, as well as the shooting with the full cooperation of the body of Royal Marines, resulted in the formal and historical aspect of the production is flawless, making it the most successful section of the film.

Unfortunately, the film will not scratch at the same level of quality as film is concerned. Although the starting point of argument is quite interesting, featuring a rare official in charge of a problematic group of soldiers who are being sent to a dangerous mission (which can almost be considered a precedent for Dirty Dozen) the story does not end of carburizing for several reasons. First get the feeling that José Ferrer was not the most suitable actor to play the Major Stringer, mainly because his interpretation lacks a point of charisma, and I personally found most convincing performance of his co-star Trevor Howard . Second, the part devoted to the preparation of the mission and the training of men is stretched too much, without offering too many scenes of interest to the viewer, so Conclude by becoming heavy. And finally, the section of footage devoted to the execution of the mission, it can not be said to be a paragon of spectacular and narrative intensity. Therefore, the end result is a right product, well-crafted vision, but something failed on the narrative plane.

In conclusion, "Hell of heroes" is not a bad movie shows military command, but is also far from being one of its top titles, but at least has an original point in its subject and approach .

Rating: 5.5 / 10

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Tirpitz (Above us the waves)

Operation Tirpitz (1955)

action puts us in 1943. The staff of the Royal Navy , determined to eliminate the threat to British maritime traffic the presence of the powerful German battleship Tirpitz on a fjord on the Norwegian coast, decided to organize an undercover operation aimed to destroy the enemy ship. To do this, choose to use the submarines dwarfs Mark I, an experimental weapon to be used for the first time in this dangerous mission.

Operation Tirpitz is produced British from the 50 that reconstructs the events surrounding the so-called Operation Source, a daring underwater raid on the Norwegian coast dwarfs with the aim of destroying the battleship Tirpitz, the mighty battleship Bismarck twin. The story of the film was based on the book entitled Above us the Waves (whose translation would be " Above us, the waves "), written by Charles Warren , one of the participants in the real mission. Eliminating Tirpitz, hidden since 1942 in the safe haven of their almost impenetrable Norwegian base is became a real obsession for the British Admiralty, determined to destroy all the dangerous coast German ship. When air strikes were unsuccessful, the pilot decided to use the pocket submarines to infiltrate the heavily guarded refuge fjord where the Tirpitz , launching from submarines mother a short distance from the coast six mini-submarines of the class X. It must be said that Operation Source resulted in some success but not insignificant, and that despite all the mini-submarines were lost, the bursting of two explosive charges under the waterline of the Tirpitz knocked out the German battleship , for a long period of six months, until finally, in November 1944 the RAF finally destroyed using special pumps 5-ton Tallboy.

Naturally, the film pays tribute to the brave crew of the British dwarf submarines were able to successfully attack the Tirpitz . The production, which had historical and technical advice to the commander of submarines Donald Fraser, which resulted in the realism of the underwater scenes, quite successful for the time. Likewise, the material used was equal to the original that was used in the II GM, so the degree of realism that the film conveys is very high. Moreover, the film features the typical elements of the subgenus submarine, with moments of tension, depth charges, and a race against the clock to attack the enemy ship. Not that the film offers nothing particularly new, the truth is that in the first third of footage is somewhat slow, but overall is a title that provides a significant dose of underwater action, in addition to faithfully reconstruct the historical facts recreating.

Ultimately, Operation Tirpitz is a typical British production with traditional taste, without film boasting too, but that will no doubt please fans of naval issues and the history of World War II.

Rating: 5.5 / 10

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Anonymous: A Woman in Berlin (Anonyma, Eine Frau in Berlin )

Anonymous, a woman in Berlin (2008)

The story begins in Berlin in April 1945. As Soviet troops fought fierce fighting the past and to seize control of the capital, thousands of German civilians, begins an ordeal due to the wave of violations that trigger the Red Army soldiers against German women who fall into their hands. One of those anonymous young women, after suffering in their own flesh the oppression of Russian soldiers, will narrate the events that happened in those dangerous days that preceded the end of the war.

From April 20 until June 22, 1945, in the dim light gave him a candle, a young German journalist in a notebook meticulously recorded the daily adventures that she and other civilian survivors lived during the early days of Russian occupation of Berlin. This notebook experiences formed the basis for the book Eine Frau in Berlin (A Woman in Berlin ") which was published in English in 1954. In this book, she popped the wave of indiscriminate sexual abuse committed by Soviet soldiers against German women who remained in the ruins of Berlin when the city was conquered by Russian troops in April 1945. However, the book does not merely recount the atrocities committed by the Russians, but also showed the attitude of many German women who agreed to mingle with the passengers in exchange for food, protection and comfort for even the worst days war. Therefore, it is not surprising that appear in 1959 published the German edition of the daily, Germany unleashed a lively debate about the contents, as memories of war were still too fresh in the German collective memory. This won her the newspaper decided not to disclose your name and remain permanently anonymous, giving instructions that his identity not be revealed, even after his death, which occurred in 2001. Nevertheless, in 2003 it was learned that the author was Martha Miller, a journalist who had studied at the Sorbonne University.

Evidence that the issue still remains hot in Germany has been to wait until 2008 for the text A woman in Berlin was adapted to film. Adaptation, funded by German capital, was given by the director Max Färberböck who was also responsible for preparing the script for the film, acting as co-writer of the same.

Entering rating the movie, I must say that this has a very strong start, showing the confusion of civilians who are caught in a furious battle, seasoned with a beginning effective and realistic war scenes that give a lot of strength in this first installment of the film. Neither are bad scenes that show the beginning of contact between the German and Russian soldiers, and sober realism, without lapsing into barbarism, shows how the rapes of German women at the hands of Soviet soldiers. Should also emphasize the careful reconstruction of the scenarios that recreate the demolished Berlin the last days of the war, a work environment that is quite convincing on screen.

However, not all aspects of the film are equally positive. How weaknesses should be noted first that the film as a whole, lacks dramatic intensity to really move the viewer. Everything is told from a deliberately balanced and sober perspective, but what has not come to pass fiber sensitive viewer. Perhaps because in the end it is too academic in the narrative level, throwing in a few drops of humor failure or ease the burden tragicomic drama of the narrative. In addition, the various subplots that are introduced to accompany the main narrative (as the young German soldier who is hiding from the Russians or the mature couple who finds his house occupied by a Russian soldier almost teenager) do not end up being well developed nor contribute much to the history of the star, beyond the anecdotal.

In any case, we must recognize that " Anonima ..." is a movie brave enough to portray facts that many have wanted to save forgotten, and sets out in formal neatness honesty and a story not without interest. It is definitely a film, not outstanding in terms of cinematic quality, but certainly human and historical interest, being one of those titles remind managers of the other side of the war, the civilian casualties.

Rating: 6 / 10

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Liberation (Osvobozhdeniye). The Last Assault

Liberation (1969). Part V: The Latest Assault.

April 20, 1945. One after the resistance of the last German troops fighting on the outskirts of Berlin , Soviet troops prepare to launch the final assault on the Reich capital. While the Soviet command prepares the assault Reichstag and Russian assault troops are approaching the heart of the city, in the bunker of the Reich Chancellery, Hitler , after marrying his former mistress Eva Braun , prepares to commit suicide before falling into enemy hands.

The Last Assault is the fifth and closing title series Liberation, besides being chronological continuation of "The Battle of Berlin ", which completes the recreation of the battle for Berlin. Again, as occurred in the fourth installment, the propagandistic tone that takes the film to tackling the story of the conquest of Berlin by Soviet forces is remarkably accused. And of course, the story omits any hint of criminality on the part of Russian troops to the German civilian population, to the point where Soviet soldiers are portrayed in a way rather idealized as protectors of German civilians, which, of course, is only slightly adjusted to the actual historical facts, but is directly at odds with them.

thing about this part, as in previous ones, lies in the excellent recreation of the outdoor stages and careful staging. For the filming of this part were used as decorations crumbling buildings of an old district of Berlin that was to be demolished, so the sense of authenticity of the scenarios is absolute. It is also remarkable recreation of the assault is made of Reichstag, the former German parliament, which actually was a burned debris from the fire suffered by the building in 1933, but the conquest of which had an undeniable moral and symbolic value for the Soviet military. And how could it be otherwise, the film portrays the world famous photograph Soviet flag flying atop the building after its conquest by Russian troops. Neither are bad

the scenes set in the bunker of the chancellery, Hitler showing the of the last days of the war, physically and morally broken down in defeat; although the sequence of suicide is too histrionic and unrealistic. The film suggests that Hitler killed Eva Braun and then did not dare to commit suicide by his own hand, which does not fit at all to the testimony of witnesses about the circumstances of death of Hitler and his wife. This scene seems, once again, a toll propaganda film, with the obvious purpose of removing any hint of heroism to the suicide of Hitler . Finally, the film culminates with the celebration of Russian troops at the gates of Reichstag after the capture of the building, and images contemporaries who are showing, by way of homage, the figures dropped by every nation in the war, ending with the millions of deaths suffered by the USSR in the conflict.

In short, The Last Assault , maintains the same constant from the previous titles in the series. A more remarkable re-enactment and stage, which is marred by overly linear narration, characters in addition to schematic drawings, and a story that has too-obvious-elements and propaganda. Therefore, it is undeniable that Liberation is, from the point of view aesthetic, a role model, but also can only conclude that it is pretty mediocre film appearance, and historically speaking too Manichean. In any case, one viewing is not inferior by aficionados of the history of World War II, especially for its successful re-creation of the military aspects of the war.

Rating: 4 / 10

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