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In Tranzit (2008)

The story begins in early 1946, months after the end of the war. A group of German POWs arrives at a transit camp on the outskirts women of Leningrad. Despite being a field for women, Colonel Pavlov (John Malkovich), head of the NKVD in the area, German prisoners ordered to remain there with a hidden agenda. With the help of Dr. Natalia field (Vera Farmiga), Pavlov officials want to locate SS hiding under a false name from the German prisoners, Natalia threatening to deport her husband Andrei Siberia, mentally disabled as a result of injuries sustained during the war. However, the situation becomes complicated when there is a hint of romance between the doctor and one of the German prisoners, Max.

Tranzit In the typical case in which a very interesting script with a basic idea, is wasted by not knowing how to develop properly. The truth is that history, based on real events, of German prisoners sent to the Leningrad area to be guarded by women who had lived in first person the siege of the city and whose family and friends had died during the war, offered much scope for giving rise to a good movie. Which confirms the start of the film, showing the tense arrival of German prisoners to the field, and scorn and suffering physical violence by their former victims, now converted into executioners.

obtante not, after the first twenty minutes of footage, the story fades inevitably, at the same time the director loses the pulse of the narrative. This is mainly because the tone of the story, appropriately dark and oppressive in the first part of the story evolves as you go this, to the point of reaching be strangely syrupy, with the inclusion of several very poorly developed romantic plots, and even somewhat implausible. To this we must add the fact that the story lines that try to cover (prison drama, the story of espionage, and the romantic plot), are rather flat, so any stories that are inserted fully satisfactory for the viewer. And this is something that neither decent atmosphere, or the right of interpretation of the cast, especially the actors John Malkovich and Vera Farmiga , can solve. At all times, it feels the film, taking their first few minutes, it ends to find the right tone, and eventually left in a failed product, which cheapening the starting point of argument, which would have been likely brought more dramatic juice.

In short, In Tranzit , offers some interest in addressing an interesting historically, and also little trite from the cinematic point of view. But beyond that, and removing the interpretive profession good deal, does not offer too many points of interest. A passable film, but disappointing in more ways than one.

Rating: 5 / 10